An open letter to my fellow murder-fiction aficionados:
This spring I’ll be teaching a class here at Butler University, where I adjunct in the MFA writing program, about reading crime and mystery fiction—my (accurate) thesis being that truly great crime novels and mysteries, far from being mere “popcorn books” or “beach reads”, have much to teach us about structure, style, tension, conflict…you know, all the elements of good writing.
So I’m in the process of drawing up a list of ten classic crime/mystery novels—no, you know what, forget “classic”—ten crime/mystery novels that are A) really good and B) pedagogically valuable, in terms of showing off some aspect or aspects of craft particularly well.
All I’m 100% certain on, so far, are The Talented Mr. Ripley, by Patricia Highsmith, and Clockers, by Richard Price.
What else would you insist that I include?